Your Music & Sound in
Film, TV & other Media – Sau­ti Za Busara

How can it get the­re and how it sup­ports your care­er as an artist or com­po­ser.
As the num­ber of par­ti­ci­pan­ts is limi­t­ed, regis­tra­ti­ons will be con­side­red in the order
in which they are received.

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About this workshop

Many com­po­sers and musi­ci­ans wish to wri­te music for fea­ture films or have suc­cess as a per­forming artist. It is com­mon know­ledge that this is a big and long term goal. The music licen­sing mar­ket can sup­port you finan­ci­al­ly and even pro­mo­tio­nal­ly while working towards that goal.
This work­shop shows with spe­ci­fic examp­les and audio, which inco­me and pro­mo­ti­ons pos­si­bi­li­ties exist in the music licen­sing mar­ket and how it can bring you clo­ser to your big goal.

What to expect

The par­ti­ci­pan­ts bring their own music, and we ana­ly­ze it and in com­pa­ri­son to the examp­les we will dis­cuss in detail, what, whe­re, how, and why some­thing works for the music licen­sing mar­ket, respec­tively, which spe­cial cri­te­ria the music licen­sing mar­ket has.

What to prepare

The par­ti­ci­pan­ts bring their own music, and we ana­ly­ze it and in com­pa­ri­son to the examp­les we will dis­cuss in detail, what, whe­re, how, and why some­thing works for the music licen­sing mar­ket, respec­tively, which spe­cial cri­te­ria the music licen­sing mar­ket has.

The goal of this work­shop is to give ans­wers to ques­ti­ons like

  • Whe­re does the music we hear dai­ly in movies, TV-series, adver­ti­sing, online
    vide­os, tele­pho­ne on-hold-music, etc. comes?
  • How can the music licen­sing mar­ket help my care­er as film composer?
  • How can I take advan­ta­ge of my cre­dits in movies and tv-series for my
    per­forming care­er or when tal­king to directors?
  • How can I crea­te a ste­ady inco­me stream when I am not per­forming or have
    a com­po­si­ti­on commission?
  • How can I have a second inco­me from my released CDs, except sales,
    down­loads or concerts?

The work­shop con­sists of the fol­lo­wing parts

  • How should the music be craf­ted to be inte­res­t­ing for the music licen­sing
    mar­ket?
  • What does work, what does­n’t, and why?
  • The music is done and fits the licen­sing cri­te­ria– how can I get it to be
    licen­sed in the movies?
  • How can I take advan­ta­ge of my pla­ce­ments in movies and tv-series
    finan­ci­al­ly and pro­mo­tio­nal­ly for my per­forming or com­po­ser career?

Kurs­de­tails

How can it get the­re and how it sup­ports your care­er as an artist or composer.

Ter­min: 06.02.2026

Unter­richts­zei­ten

Uhr­zeit: 10:00–14:00 Uhr

Kos­ten

Gebüh­ren: KOSTENFREI
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Kon­tak­tie­re uns

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